Ode to Čiurlionis
Lithuanian artist and composer Mikalojus Konstatinas Čiurlionis (1875-1911) could hear sound in colors and images and vice versa due to a special neurological condition, synesthesia. It laid the foundation for his dual talent; Čiurlionis is today considered the most important painter and composer Lithuania has produced. At Oranjewoud Festival you can enjoy both exponents of his artistry. On this page you will find an overview.
The Painter
Museum Belvédère is the first museum in the Netherlands to dedicate an exhibition to the work of M.K. Čiurlionis. To this day, he is considered a national icon of Lithuania. Art historians mention his name in the same breath as that of contemporaries such as Gustav Klimt, Edvard Munch and Wassily Kandinsky.
Beyond Heaven and Earth
Although Čiurlionis's work remained virtually unknown in the West during the years when Lithuania was part of the Soviet Union, in recent decades many major museums around the world have devoted exhibitions to him. The emphasis of the exhibition at Museum Belvédère is on Čiurlionis' later works, painted with tempera paint, in which he finds a symbiosis between visual art and music in his completely unique symbolist style.
Instead of reality - as we (re)know it - Čiurlionis' work depicts another world; that of myths, sagas, fairy tales and visions. Nature was his muse and he drew his inspiration from Lithuanian sagas, legends and folk beliefs as well as non-Western cultures ranging from Ancient Egyptian, Indian to Asian. This depiction of unprecedented representations and worlds runs like a thread through his work. The exhibition will feature about 70 tempera paintings by his hand, in which secrets are evoked and the earthly world is linked to the supernatural.
To Museum Belvédère
The Composer
Čiurlionis' music embodies the core of Lithuanian professional music. It has served as the foundation of 20th century Lithuanian musical culture. In a short creative period of just over a decade, Čiurlionis' music evolved from traditional romanticism to compositions that foreshadowed modern atonal music. Presumably he made his first compositional attempts in Plungė, where he studied and played in the orchestra at the estate of Prince M. Oginski. However, it was in Warsaw that he took up composition with serious intentions, where he studied composition and orchestration with Z. Noskowski since 1897. Before graduating from the Warsaw Institute of Music in June 1899, Čiurlionis had composed a number of pieces, canons, fugues, variations and two sonatas for piano, sonata for violin and piano (not preserved), variations for string quartet, fugues for choir, while his graduation work was the cantata De Profundis for mixed choir and symphony orchestra.